论朗西埃美学平等思想的理论演进与实践路径  

On the Theoretical Evolution and Practical Path of Ranci re's Aesthetic Equality Thought

作　　者：王馨雨 WANG Xinyu(School of Marxism,Nankai University,Tianjin 300350,China)

机构地区：[1]南开大学马克思主义学院,天津300350

出　　处：《武陵学刊》2024年第1期45-54,共10页Journal of Wuling

基　　金：国家社会科学基金重大项目“当前主要社会思潮的最新发展动态及其批判研究”(16ZDA101)。

摘　　要：当代法国激进左翼思想家的代表人物雅克·朗西埃创造性提出了美学平等思想,以从“治安”秩序到政治“歧见”、从政治“歧见”到美学“歧感”的两个转换为背景,以美学“歧感”的现实生成为主线,在艺术的审美体制中对现有的“感性的分享”空间进行重新划分,在审美领域的“歧感共同体”作用下,开启了主体平等的视界,为美学的政治之实现奠定了基础。探究朗西埃的美学平等思想,把握后马克思主义美学研究的新进展,可以为当代中国政治美学发展提供丰厚的理论资源。Jacques Ranci re,a representative figure of contemporary French radical left-wing thinkers,creatively put forward the idea of aesthetic equality.Taking the two transformations from"law and order"to political"dissensus"and from political"dissensus"to"aesthetic dissensus"as the background,and taking the generation of aesthetic"dissensus"as the main line,he redistributed the existing space of"distribution of the sensible"in the aesthetic system of art,and opened up the vision of equality of subjects under the role of the"sense community of dissensus"in the field of aesthetics,laying the foundation for the realization of the politics of aesthetics.By exploring Ranci re's idea of aesthetic equality and grasping the new progress of post-Marxist aesthetics,we endeavor to provide abundant theoretical resources for the development of political aesthetics in contemporary China.

关 键 词：朗西埃 美学平等 “感性的分享”机制 歧见政治 后政治时代 

分 类 号：B17[哲学宗教—马克思主义哲学]