旧式闺秀的婚恋悲剧与现代婚恋的两难困境——《伤逝》《绣枕》的并置研究  

The Marriage Tragedy of Old-Style Ladies and the Dilemma of Modern Marriage——A Juxtaposed Study on the Remorse and Embroidered Pillow

作　　者：何霞 祁石刚 HE Xia;QI Shigang(Zhou Youguang College of Literature,Changzhou University,Changzhou,Jiangsu,213159;School of Chinese Language and Literature,South China Normal University,Guangzhou,Guangdong,510631)

机构地区：[1]常州大学周有光文学院,江苏常州213159 [2]华南师范大学文学院,广东广州510006

出　　处：《成都大学学报（社会科学版）》2024年第1期95-105,共11页Journal of Chengdu University (Social Sciences)

基　　金：2021年常州大学周有光文学院优秀毕业论文培育项目“现代文学转型初期女性形象研究”(项目编号:WXYLW-2021002)。

摘　　要：鲁迅的《伤逝》与凌叔华的《绣枕》均发表于1925年,在展现“旧式闺秀”这一特殊群体的婚恋选择上具有高度相似性,如果作相关并置研究,可以揭橥其蕴含的更加内在、丰富、深入的意义空间。两篇小说一定程度上互为互文文本,通过旧式闺秀人生取向的破灭、逼仄的女性活动空间、时空意义上封闭的叙事结构,全方位多角度地表现了20世纪20年代旧式闺秀难逃的悲惨命运。两部作品都具有“类自叙传式”的气质,浸淫着鲁迅与凌叔华深刻的生命体验,是作家生活理性的具象化表达。Lu Xun's Remorse and Ling Shuhua's Embroidered Pillow were both published in 1925,and they have a high degree of similarity in showing the marriage choices of the particular group of"old-style ladies".So a juxtaposed study on the two novels can reveal the more intrinsic,rich,and in-depth meanings.The two novels are intertextual to a certain extent,which reveals the tragic fate of the old-style ladies in the 1920s from the aspects of the destruction of the old-style ladies'life orientation,the cramped space for women's activities,and the closed narrative structure in terms of time and space.Both works have the temperament of"autobiography-like",imbibing Lu Xun and Ling Shuhua's profound life experience,which is the embodiment of the writer's life rationality.

关 键 词：《伤逝》 《绣枕》 旧式闺秀 

分 类 号：I207[文学—中国文学] I210