豫苏鲁皖琴书艺术中的扬琴音乐形态研究  

A Study on the Music Form of Dulcimer in the Lyre-Playing and Calligraphy Art of Henan,Jiangsu,Shandong and Anhui

作　　者：王嫣然 Wang Yanran(Fuyang Normal University,Fuyang 236037,China)

机构地区：[1]阜阳师范大学,安徽阜阳236037

出　　处：《黑河学院学报》2024年第1期153-156,共4页Journal of Heihe University

基　　金：2021年度阜阳师范大学校级人文社会科学重点项目“豫苏鲁皖琴书艺术中的扬琴音乐形态研究”(2021FSSK13ZD)。

摘　　要：研究豫苏鲁皖琴书艺术中的扬琴音乐形态,了解扬琴在各地琴书艺术表达的重要领导地位。早期扬琴与现代扬琴的基本结构与音色上差异,扬琴音色中存在颗粒性特点。豫苏鲁皖琴书艺术的基本系统,主要是河南东部以商丘地区为代表的琴书艺术,江苏徐州地区的琴书艺术,山东琴书以及安徽北部等区域的琴书艺术。整体性地研究琴书艺术中扬琴的音乐形态,一般分为说唱相结合的音乐形态与感情旋律结合的音乐形态。To study the dulcimer music form in the art of lyre-playing and calligraphy in Henan,Jiangsu,Shandong and Anhui can make people know better about the important leading position of dulcimer in the art expression of lyre-playing and calligraphy in various regions.This paper introduces the basic structure and diff erences in timbre between the early dulcimer and the modern dulcimer,as well as the granular characteristics in the dulcimer timbre.This paper expounds the basic system of the lyre-playing and calligraphy art in Henan,Jiangsu,Shandong and Anhui involving lyre-playing and calligraphy art in Shangqiu in the east of Henan,Xuzhou in Jiangsu,Shandong and northern Anhui.The music form of dulcimer in the art of Qin calligraphy is generally divided into the music form of combining rap and singing and one integrating emotion and melody.

关 键 词：豫苏鲁皖 琴书艺术 扬琴音乐 说唱结合 

分 类 号：J63[艺术—音乐]