勃洛克《滑稽草台戏》的反讽书写  

Blok's Writing of Irony in The Puppet Show

作　　者：赵玉砚 Zhao Yuyan

机构地区：[1]北京外国语大学

出　　处：《俄罗斯文艺》2024年第1期108-116,共9页Russian Literature & Arts

摘　　要：《滑稽草台戏》是勃洛克在经历思想危机的“反题”阶段进行戏剧实验的开端,剧本篇幅虽短,却包含巨大的思想容量和形式创新,是勃洛克最难理解的作品之一。勃洛克在提及该戏剧时不止一次说到的“反讽”成为理解戏剧的一把钥匙。《滑稽草台戏》通过构建复杂的人物关系对众人执着追求的死亡、爱情、真理进行了反讽书写,揭示了最高真理的多维性,借助草台戏、假面喜剧、抒情诗等体裁的杂糅营造出环环相扣的反讽时空体系。戏剧以反讽的视角审视俄国当时观点,是勃洛克“反题”阶段思想探索和创作手法探索的重要表现,是理解勃洛克整体创作的关键一环。The Puppet Show was the beginning of lyrical dramatical experiments of A.Blok in the“anti-topic”phase.Although the play is short,it contains a huge capacity for thought and formal innovation,and is one of the most complicated works of Blok.Irony,which is mentioned more than once by Blok in reference to the play,becomes a key to understanding this work.Through the construction of complex character relationships,the play is an ironic writing of death,love,and truth,revealing the multidimensionality of the highest truth.With the use of a mixture of genres,such as commedia dell'arte and puppet show,Blok created an interlocking ironic system.The play's ironic perspective on the viewpoints at the time is an important manifestation of the exploration of ideas and creative techniques in the“anti-topic”phase,and it is a key part of understanding Blok's overall creativity.

关 键 词：象征主义 勃洛克 草台戏 反题 反讽 

分 类 号：I512.073[文学—其他各国文学]