论革命作家司马文森《菲菲岛梦游记》的南洋书写  

On the Nanyang Writing of Revolutionary Writer SIMA Wensen’s Feifei Island Sleepwalking

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作  者:梁世佳 朱巧云[1] LIANG Shijia;ZHU Qiaoyun(College of Liberal Arts,Jinan University,Guangzhou 510632,China)

机构地区:[1]暨南大学文学院,广东广州510632

出  处:《黎明职业大学学报》2023年第3期31-36,共6页Journal of LiMing Vocational University

摘  要:革命文学是一种具有鲜明意识形态、表达革命话语、展现革命精神的文学样式。闽籍作家司马文森的南洋书写,融合了自身的革命经历与异域经验,代表了革命作家群的艺术成就。其在桂林时期发表的儿童小说《菲菲岛梦游记》,从作者的心灵史出发,在叙述方式与主题设置等方面展现出了南洋独立史与中国革命史千丝万缕的联系,形成了大历史与文学的互动与对话。该作品在20世纪40年代的政治语境中,揭示了闽籍革命作家群与南洋相关的生命体验之于革命书写的特殊文学价值。Revolutionary literature refers to a literary style with distinct ideology,expression of revolutionary discourse,and display of revolutionary spirit.Sima Wensen,a Fujian-born writer,integrated his own revolutionary experiences and foreign experience into Nanyang writing,representing the artistic achievements of revolutionary writers.The children’s novel Feifei Island Sleepwalking,published during the Guilin period,starting from the author’s spiritual history,shows the inextricable connections between the history of Nanyang independence and the history of Chinese revolution in terms of narrative methods and theme settings,forming a big history and literary interaction and dialogue.In the political context of the 1940s,it suggested that the life experience of Fujian revolutionary writers related to Nanyang had special literary historical value in revolutionary writing.

关 键 词:司马文森 《菲菲岛梦游记》 南洋书写 革命话语 

分 类 号:I246.5[文学—中国文学]

 

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