试论清真词的创调特征及成就  

On the Characteristics and Achievements of the Creation Tone of Qingzhen Ci

作　　者：黄敏 Huang Min(Nanjin Normal University Zhongbei College,Danyang,Jiangsu 212331,China)

机构地区：[1]南京师范大学中北学院,江苏丹阳212331

出　　处：《湖北职业技术学院学报》2023年第4期45-49,55,共6页Journal of Hubei Polytechnic Institute

基　　金：南京师范大学中北学院校级项目“清真词用调研究”(项目编号:2020yky002)的阶段性研究成果。

摘　　要：周邦彦在创用新调上展现了鲜明的个性特征,并取得了杰出的艺术成就。首先,清真词采用的曲类丰富,创调方式多样,创调技法高超,且创调成功率较高,推动了两宋词调的繁衍;其次,清真词创用新调并不囿于“缘题而赋”的藩篱,往往能突破调名本意,一定程度上拓展了词调的表现空间;最后,周邦彦致力于规范新调的词体形式,积极探索各种新的词体结构,对词体建设有重大贡献。Zhou Bangyan shows his distinctive personality and has made outstanding artistic achievements in the creation and use of new tunes.In the first place,Qingzhen Ci adopted a variety of music types,various ways of creating tones,and superb techniques.The success rate of creating tones was high so as to promote the reproduction of the tones.Secondly,the creation and use of new tones of Qingzhen Ci is not limited to the barriers of"assigning to the theme"and often breaks through the original meaning of tone names,which expands the expression space of tones to a certain extent.Finally,Zhou Bangyan devoted himself to standardizing the form of the new tone,actively explored various new structures of the tune forms,which made significant contributions to the construction of the tune forms.

关 键 词：清真词 创调 特征 成就 

分 类 号：I207.23[文学—中国文学]