手工技艺非遗的文旅转向:从“过程真实”到“象征真实”——以建水紫陶为例  

Cultural-Tourism Transition of Traditional Craftsmanship of Intangible Cultural Heritagefrom Procedural Authenticity to Symbolic Reality: a Case Study on Jianshui Purple Poterry

作　　者：朱雨航 ZHU Yu-hang(Cultural Museum of Shiping County,Shiping 662200,Yunnan,China)

机构地区：[1]石屏县文化馆,云南石屏662200

出　　处：《红河学院学报》2024年第1期39-42,56,共5页Journal of Honghe University

基　　金：红河州哲学社会科学规划课题一般项目:文旅融合视角下红河非遗的创造性转化(2023YB07)。

摘　　要：传统手工技艺类非遗作为一个地方的活化遗产,因其生产性保护的开展而具有天然的文旅转化价值。紫陶承载建水千年的地方文脉,但在近年的文旅融合实践中,存在浅层利用、表层开发的困境。文章借“舞台真实”理论探究以建水紫陶为例的传统手工技艺类非遗在新时代文旅语境中的转向可能,强调在注重物质性与非物质性协调统一基础上,深入挖掘文化符号,审美性地呈现技艺造物的动态过程,提升手工技艺的可参观性,创新文化表征形式。通过从“过程真实”到“象征真实”的转变,推动传统手工技艺类非遗在文旅融合视域下的创造性转化和创新性发展。Jianshui purple pottery carries the local cultural heritage that has been built for thousands of years,but in recent years,there have been difficulties in shallow utilization and surface development in the practice of cultural and tourism integration.Taking Jianshui Purple Pottery as an example,this article uses the theory of“stage reality”to explore the possibility of the transformation of handcrafted intangible cultural heritage.On the basis of emphasizing the coordination and unity of materiality and immateriality,it deeply explores cultural symbols,innovates cultural representation forms,and aesthetically presents the dynamic process of artistic creation.By transitioning from“process authenticity”to“symbolic reality”,we aim to promote the creative transformation and innovative development of traditional handicraft intangible cultural heritage in the context of cultural and tourism integration.

关 键 词：文化旅游 手工技艺类非遗 舞台真实 建水紫陶 

分 类 号：C912.4[经济管理]