生态美学视角下“徐熙野逸”花鸟画与现代平面设计的融合研究  

Research on the Integration of“Xu Xiyeyi”Flower and Bird Painting and Modern Graphic Design from the Perspective of Ecological Aesthetics

作　　者：陈辉[1] 黄煜琳 CHEN Hui;HUANG Yulin(Changzhou University,Changzhou 213000,China)

机构地区：[1]常州大学,江苏常州213000

出　　处：《鞋类工艺与设计》2024年第1期66-68,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：生态美学是生态学与美学相结合的交叉学科,是一种典型的极具人文关怀的中国式美学形态。在现代,提倡建设“生态文明国家”的理论深入人心,新时代美学家提出人与自然“和谐共生”的平面设计概念将生态美学推入大众视野。本文从徐熙极具“野逸”风格的花鸟画出发,从生态美学角度出发探讨“徐熙野逸”的艺术风格,发掘其花鸟画作品创作的初衷,了解其中打破常规的探索精神,将人与自然和谐共生、推崇思想开放自由的设计风格融入现代平面设计作品中。Ecological aesthetics is an interdisciplinary discipline combining ecology and aesthetics,and is a typical Chinese aesthetic form with great humanistic care.In modern times,the theory of advocating the construction of an“ecological civilization country”is deeply rooted in the hearts of the people,and the new era of aestheticians put forward the graphic design concept of“harmonious coexistence”between man and nature,which pushes ecological aesthetics into the public eye.Starting from Xu Xi's“Yeyi”style of flower and bird paintings,this paper discusses the artistic style of“Xu Xi's Yeyi”from the perspective of ecological aesthetics,explores the original intention of his flower and bird paintings,understands the spirit of exploration that breaks the convention,and integrates the design style of harmonious coexistence between man and nature and advocating open-mindedness and freedom into modern graphic design works.

关 键 词：生态美学 徐熙野逸 现代平面设计 

分 类 号：J524.3[艺术—艺术设计]