“病驴”自况:重审萧红的“疾病”修辞法  

“Sick Donkey”Self-Depiction:Reexamining Xiao Hong’s “Disease”Rhetoric

作　　者：曹晓华 CAO Xiao-hua(Institute of Literature,Shanghai Academy of Social Sciences,Shanghai 200235,China)

机构地区：[1]上海社会科学院文学研究所,上海200235

出　　处：《山东女子学院学报》2024年第1期90-100,共11页Journal of Shandong Women＇s University

基　　金：国家社会科学基金青年项目“中国近现代文学中的疾病医疗话语流变研究”(基金项目:21CZW039)。

摘　　要：萧红通过与疾病相关的修辞句式,在持续的常态中捕捉人事瞬间的“反常”,通过“审丑”与笔下的“被弃物”形成精神共鸣。萧红对“疾病”的观察和书写,回避了西医目视式的病理分析,着重铺陈“病症”,是反观诸己的病体“自况”。她以东北民俗语汇构建起传统诊疗的文本“仪式”,在“巫/医”和“人/鬼”的反转中,直指人性的“荒凉”。疾病修辞法不仅是萧红的创作技巧,也是萧红剖析自我、诠释异域文化、反思殖民地经验的思维方式,关联着萧红“小说学”在左翼创作阵营中的特殊地位。Through rhetorical structures related to diseases,Xiao Hong captures the“abnormality”within the continuous fabric of daily life.Through depicting ugliness,she forms a spiritual resonance with the“abandoned”characters in her works.Xiao Hong’s observation and portrayal of diseases steer clear of the visual pathological analysis advocated by Western medicine,instead emphasizing the portrayal of“symptoms”.This approach serves as a self-depiction reflected in the diseased bodies of various characters.Utilizing Northeast folk slang,she constructs textual“rituals”of traditional diagnosis and treatment,directly addressing the“desolation”of human nature in the reversal between“witch/doctor”and“human/ghost”.The rhetoric of disease not only represents Xiao Hong’s creative writing skills but also underscores her self-narrative while interpreting foreign cultures and reflecting on colonial experiences,which is connected to Xiao Hong’s unique status within the left-wing literary circle.

关 键 词：萧红 疾病 修辞 民俗 

分 类 号：I207.4[文学—中国文学]