论冯梦龙小说中的女性形象——以《情史》和“三言”为中心  

Exploring Female Characters in Feng Menglong’s Novels:Centered on the Three Volumes of Words and A History of Love

作　　者：吴晗 WU Han(Institute of Literature,Shanghai Academy of Social Sciences,Shanghai 200235,China)

机构地区：[1]上海社会科学院文学研究所,上海200235

出　　处：《山东女子学院学报》2024年第1期101-110,共10页Journal of Shandong Women＇s University

基　　金：国家社会科学基金后期资助项目“文教与风雅:明中期苏州文人笔记研究”(项目编号:23FZWB042);《苏州全书》青年学术资助项目“明代苏州笔记与‘吴趣’研究”(项目编号:SZQSQN202304)。

摘　　要：晚明以降,人文主义思潮涌动,文人倡导尊情适性,导致男尊女卑的传统观念发生重大变化。同时,小说文本中生成了一大批新型女性形象,在对市井妇女、妓女及世家闺秀等各阶层人物的书写上,展现全新样态。冯梦龙的《情史》和“三言”,不但歌颂女性的坚贞与多情,赞美其才智与个性,更是对程朱理学中的贞洁观念发出挑战与批判。小说对女性进行全面刻画,重新评价妒妇、荡妇等人物形象,肯定女性对情感的追求及其聪明才智,力图建构独立自主的女性个体,客观上呈现了尊重女性、倡导男女平等的妇女观。Since the late Ming Dynasty,the surge of humanism and the advocacy of respecting emotions by scholars have led to significant shifts in the traditional view of male superiority and female inferiority.Concurrently,a plethora of novel female characters have emerged in literary works,exhibiting a fresh perspective in depicting diverse characters,including townswomen,prostitutes,and aristocratic ladies.Taking Feng Menglong’s A History of Love and Three Volumes of Words as examples,the author not only celebrates their steadfastness,sentimentality,intelligence,and individuality,but also challenges and critiques the concept of chastity espoused in Cheng-Zhu Neo-Confucianism.The novels comprehensively depict women,reevaluating characters such as the envious and the promiscuous.They affirm women’s pursuit of emotion and acknowledge their wit and wisdom,striving to construct independent female characters.This objectively presents a concept of respecting women and advocating for gender equality.

关 键 词：《情史》 “三言” 冯梦龙 文学创作与妇女观 

分 类 号：I207.4[文学—中国文学]