伊恩·麦克尤恩小说中的伍尔夫元素——以《赎罪》为例  

Elements of Woolf in Ian McEwan’s novels:Take Atonementas an example

作　　者：朱子琪 辛雅敏[1] ZHU Ziqi;XIN Yamin(College of Liberal Arts,Zhengzhou University,Zhengzhou 450000,China)

机构地区：[1]郑州大学文学院,河南郑州450000

出　　处：《周口师范学院学报》2023年第6期83-87,共5页Journal of Zhoukou Normal University

摘　　要：伊恩·麦克尤恩的《赎罪》中有多处细节与伍尔夫的创作相呼应,在具体描写中建构出了属于主人公的文学领袖式的伍尔夫形象。然而,在探寻小说内部的伍尔夫元素时,不难发现在交互文本和理念的背后存在着麦克尤恩强烈的个人文学思想踪迹。从对伍尔夫心理真实观的批判性继承,到对人物概念和意识领域的新诠释,无不体现着麦克尤恩对探寻现代主义与英国当代文学道路的独特方式。There are many details in Ian McEwan’s Atonement that echo Woolf’s creation,and in the specific description,the image of Woolf belonging to the protagonist’s literary leader is constructed.However,when exploring the Woolf’s elements within the novel,it is not difficult to find that behind the interactive texts and ideas there are traces of McEwan’s strong personal literary thoughts.From the critical inheritance of Woolf’s conception of psychological reality to the new interpretation of the concept of char-acter and the realm of consciousness,all reflect McEwan’s unique approach to modernism and contemporary British literature.

关 键 词：《赎罪》 伊恩·麦克尤恩 伍尔夫 

分 类 号：I106[文学—世界文学]