谈青花泼彩山水瓷画不可复制的意象美  

The Irreproducible Imagery of Blue and White Splashed Color Landscape Porcelain Paintings

作　　者：胡昭军 Hu Zhaojun

机构地区：[1]不详

出　　处：《景德镇陶瓷》2023年第5期171-173,共3页Jingdezhen Ceramics

摘　　要：青花是中国陶瓷装饰工艺之一,以青花工艺在瓷上装饰山水纹饰,起源于元代中晚期,作为人物故事的背景出现,用于交代人物活动的情境。独立的青花山水纹饰在清康熙时期出现,采用“分水”技法彩绘的青花没骨山水有着“墨分五色”的国画韵味。青花山水瓷画至康熙时期成熟,也自康熙时期开始程式化,之后不再有突破和改变。在当代突破青花山水程式化,将中国山水画之泼彩技法引入青花山水,是一创举,它让青花山水瓷画有了新的面貌。blue and white is one of the Chinese ceramic decorative techniques.Decorating with landscape motifs with the blue and white technique originated in the middle and late Yuan Dynasty,appeared in the background,and was used to account for the situation of the characters'activities.Pure blue and white landscape decoration in the Kangxi period of the Qing Dynasty,the use of"water"technique painted out the boneless landscape which has"ink fi ve colors"of Chinese painting fl avor.Since then it began to program,and then no longer breakthrough and change.Its contemporary breakthrough comes from the splash of color,which is a pioneering move that makes a new look.

关 键 词：青花 泼墨 泼彩 山水 国画 瓷画 

分 类 号：J527[艺术—艺术设计]