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作 者:李小贵 Li Xiaogui
机构地区:[1]不详
出 处:《景德镇陶瓷》2023年第5期183-185,共3页Jingdezhen Ceramics
摘 要:清代陶瓷进入了一个全新而且鼎盛的时期,粉彩瓷器一经问世就受到了宫廷内外的强烈欢迎,甚至在雍正时期达到了“前无古人,后无来者”的境地。因此,对于中国传统绘画和陶瓷工艺发展来说都有值得深入研究的地方和文化属性,本文即对清代宫廷画和粉彩陶瓷绘画的关联进行梳理和探究。Ceramics in the Qing Dynasty entered a new and prosperous period.Pastel porcelain was strongly welcomed both inside and outside the court as soon as it came out.It even reached an unprecedented state during the Yongzheng period.Therefore,there are local and cultural attributes worthy of in-depth study for the development of traditional Chinese painting and ceramic crafts.This article will sort out and explore the relationship between Qing Dynasty palace paintings and pastel ceramic paintings.
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