文人花鸟瓷画审美意趣与创作者主观意识研究  

Study on the Aesthetic Interests and Creators'Subjective Consciousness of Literati Bird and Flower Porcelain Paintings

作　　者：余洪亮 陈瑶 Yu Hongliang;Chen Yao

机构地区：[1]不详

出　　处：《景德镇陶瓷》2023年第5期195-197,共3页Jingdezhen Ceramics

摘　　要：本文以文人花鸟瓷画审美意趣为研究对象,结合文人花鸟画的意境及审美趣味、文人瓷画的发展历程以及陶瓷绘画本身的独特材质美,通过文献研究、跨学科研究等方法,从陶瓷创作者的主观创作心理角度对景德镇陶瓷近现代的发展进行了一定程度的探讨。在对笔墨情趣、时代审美等方面进行梳理后,论述了文人花鸟瓷画的审美意趣,不仅体现了陶瓷领域内的工艺美变革,也是近现代陶瓷创作者自身审美全面提高的最具代表性的体现,充分展示了御窑厂时代落幕后,在中西文化交流、开放思想指导下,景德镇陶瓷创作者们的主观审美意识觉醒与个人审美情怀的复苏。Taking the aesthetic interest of literati fl ower and bird porcelain painting as the research object,combining its mood and aesthetic interest,the development history of literati porcelain painting,and the unique material beauty of porcelain painting itself,this paper explores the development of Jingdezhen ceramics in modern times to a certain extent from the perspective of the subjective creative psychology of the ceramics creators.After sorting out the aspects of brush and ink sentiment,and period aesthetics,it discusses the development of Jingdezhen ceramics in recent times.The ink and brush interest not only embodies the ceramic fi eld of technology and beauty changes but also fully demonstrates the imperial kiln factory era after the fall of the cultural exchanges between China and the West,under the guidance of the opening up of the idea of the creators,awakening of the subjective aesthetic consciousness and the revival of personal aesthetic feelings.

关 键 词：文人花鸟画 文人花鸟瓷画 审美意趣 

分 类 号：J527[艺术—艺术设计]