清代上方大篆官印研究  

A Study on the Official Seal of Shang Fang Seal Script of Qing Dynasty

作　　者：梁爽[1] LIANG Shuang(Institute of Manchu Studies,Heilongjiang University,Harbin 150080,China)

机构地区：[1]黑龙江大学满学研究院,哈尔滨150080

出　　处：《满语研究》2023年第2期40-51,共12页Manchu Studies

基　　金：国家社科基金冷门绝学研究项目(项目编号:19VJX019)。

摘　　要：上方大篆是行用于清代官印中的一种笔画盘叠的篆体。有清一代,九叠篆—上方大篆印制以明制为蓝本创建,印文样式并非一成不变,根据满文印文的演变,可将其划分为三期,此三期呈现的不同官印规制特征映射出清融合发展明制的模式:先机械照搬拼接,复有机嵌入构建,终融合创新超越。在创建印制的过程中,清统治者通过不断改制以彰显满洲文化特性、强化满篆礼制功能,从而建构满洲文化,并试图将满洲文化上升为国家层面的文化,创建出满洲民族色彩浓郁的清代文化。The Shang Fang Seal Script is a type of official seal script used in Qing Dynasty,with strokes stacked on top of each other.The Jiu Die-Shang Fang Seal Script was created based on Ming system.The style of the seal was not fixed,and according to the evolution of Manchu seals,it can be divided into three periods.The different characteristics of official seal regulations reflected the model of Qing Dynasty's integrated development of Ming system:first mechanically copying and splicing,then organically embedding and constructing,and finally integrating innovation and surpassing.In the process of creating printing,Qing rulers continuously reformed to highlight the characteristics of Manchu culture,strengthen the ritual function of Manchu seal script,and thus constructed Manchu culture.They attempted to elevate Manchu culture to a national level,creating Qing Dynasty culture with a strong ethnic characteristics of Manchu.

关 键 词：九叠篆 上方大篆 满文篆字 清代文化 

分 类 号：K204[历史地理—历史学]