炳灵寺171窟佛头颜料的分析研究  

An analysis of the pigments on the Buddha head in the No. 171 grotto of the Binglin Temple

作　　者：王嘉堃 周双林[2] WANG Jiakun;ZHOU Shuanglin

机构地区：[1]浙江大学艺术与考古学院,浙江杭州310007 [2]北京大学考古文博学院,北京100871

出　　处：《中原文物》2023年第6期139-144,共6页Cultural Relics of Central China

摘　　要：无机颜料被广泛用于绘制和装饰佛像。但环境因素的影响会使无机颜料发生变色。本文利用超景深显微镜观察、扫描电镜能谱分析、X射线衍射分析、拉曼光谱分析等多种分析手段,对炳灵寺171窟大佛发髻上的彩绘颜料进行分析。结果表明,除了常见的铁红、炭黑等颜料之外,还存在一种比较罕见的黑色颜料——黑铜矿。最后对其存在的原因以及来源进行讨论,为后续黑色颜料的研究提供了重要的信息。Inorganic pigments are widely used in the decoration of Buddhist statues. However, they may suffer from color changes due to environmental factors. In this study, various analytical techniques such as ultra depth of field microscope, SEM-EDS, X-ray diffraction analysis, and Raman spectroscopy are employed to analyze the painted pigments on the headdress of the Buddha statue in Cave 171 of Bingling Temple. The results reveal the presence of not only common pigments like iron red and carbon black but also a relatively rare black pigment known as black copper ore. Finally, the reasons and sources for the existence of this pigment are discussed, providing important information for future research on black pigments.

关 键 词：炳灵寺 黑色颜料 SEM-EDS 拉曼分析 XRD 

分 类 号：TQ620.72[化学工程—精细化工] K879.26[历史地理—考古学及博物馆学]