木陈道忞“梦禅”思想及其诗文创作  

Muchen Daomin’s“Mengchan”Thought and Poetry Creation

作　　者：曹磊 丁岚岚 CAO Lei;DING Lanlan(College of Literature,Fujian Normal University,Fuzhou,Fujian 350007,China)

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《吉林师范大学学报（人文社会科学版）》2024年第1期66-72,共7页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：国家社会科学基金后期资助项目(22FZWB042)。

摘　　要：晚明丛林谈梦论梦之风盛行一时,学界对此虽多有探讨,但少有提及木陈道忞。其实道忞对梦有大量阐发、多重论述,他主张彻底超越梦与觉的二元对立,直接体契最根本的真如本性,从而把梦回归到禅宗的终极解脱问题,形成了借梦谈禅、以梦悟禅的“梦禅”之法,这是其梦论有别于晚明其他僧人的最独特之处。“梦禅”思想也被道忞化入诗文创作,他常在作品中呈现幻灭无常的虚无感和参透世事的冷峻感,同时以“月”“云”意象和梦中得句来展现彻悟身心时洒脱自如的诗境。道忞的“梦禅”理论把梦与禅修相结合,并借助文学创作来传达对梦的独特体悟,构筑了诗禅相通、文心禅心交融互摄的审美范式,体现出自觉的创作意识和融通三教的思想本质,这在晚明是很突出的现象,值得深入探讨。During the late Ming Dynasty,the trend of discussing dreams in the jungle was prevalent.Although there were many discussions in the academic community,there was little mention of MuChen Dao⁃min.In fact,Daomin has extensively expounded and elaborated on dreams,advocating for a complete tran⁃scendence of the binary opposition between dreams and consciousness,and a direct understanding of the most fundamental nature of true suchness,thus returning dreams to the ultimate liberation problem of Zen Buddhism,forming the“Mengchan”method of discussing Zen through dreams and realizing Zen through dreams.This is the most unique aspect of his dream theory that sets him apart from other monks in the late Ming Dynasty.The idea of“Mengchan”has also been incorporated into poetry and literature by Daomin.He often presents a sense of disillusionment and impermanence,as well as a sense of coldness that compre⁃hends worldly affairs in his works.At the same time,he uses the imagery of“moon”and“clouds”and sen⁃tences from dreams to showcase the free and unrestrained poetic realm when fully understanding the body and mind.The“Mengchan”theory of Daomin philosophy combines dreams with meditation,and uses liter⁃ary creation to convey a unique understanding of dreams.It constructs an aesthetic paradigm that connects poetry and Zen,and integrates literary and Zen thoughts,reflecting a conscious creative consciousness and the essence of integrating the three religions.This is a prominent phenomenon in the late Ming Dynasty and deserves further exploration.

关 键 词：木陈道忞 梦觉“ 梦禅” 诗文创作 

分 类 号：I206.2[文学—中国文学]