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作 者:王小天 WANG Xiaotian(College of Literature,Fujian Normal University,Fuzhou,Fujian 350007,China)
出 处:《吉林师范大学学报(人文社会科学版)》2024年第1期73-79,共7页Journal Of Jilin Normal University:Humanities & Social Science Edition
基 金:国家社会科学基金重点项目(16AZW007)。
摘 要:“翻案”是中国古典诗歌创作的一大传统,至唐代已有较多翻案诗歌的创作,为宋诗翻案法的提出奠定了基础。禅宗亦有“翻案法”,其虽祖慧能,然慧能的翻案亦源自对传统佛经语言的模仿。宋人在继承前代翻案诗歌传统的同时,又援引禅宗语言和思想进入诗学,凝练出独特的诗家“翻案法”,将翻案诗歌创作推向了新的高度。“Reverse”is a major tradition in classical Chinese poetry.There were many reversal po⁃ems written by the Tang Dynasty,which laid the foundation for the reversal method of Song poetry.Zen also has the“reversal method”,although it is from HuiNeng.but Hui Neng’s reverse cases also originated from the imitation of traditional Buddhist sutra language.While inheriting the tradition of reversal poetry of the previous generations,poets of Song dynasty also invoked the language and thought of Zen to enter poetics and condensed the unique“Reversal Method”of poets,which pushed the creation of reversal poetry to a new height.
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