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作 者:左洪芬[1] 杨慧[2] 张伟萌 王晓丽 ZUO Hongfen;YANG Hui;ZHANG Weimeng;WANG Xiaoli(School of Textiles and Fashion,Yantai Nanshan University,Yantai 265706,China;School of Materials Design&Engineering,Beijing Institute of Fashion Technology,Beijing 100029,China;Design and Research Center,Shandong Nanshan Zhishang Technology Co.,Ltd.,Yantai 265706,China)
机构地区:[1]烟台南山学院纺织与服装学院,山东烟台265706 [2]北京服装学院材料设计与工程学院,北京100029 [3]山东南山智尚科技股份有限公司设计研发中心,山东烟台265706
出 处:《纺织科技进展》2024年第1期41-46,共6页Progress in Textile Science & Technology
基 金:2020年“纺织之光”中国纺织工业联合会高等教育教学改革研究项目(2021BKJGLX745);南山集团科技项目(J202001)。
摘 要:从保护国家级非物质文化遗产的角度出发,基于对潍坊地区非物质文化的实地调研,选取潍坊风筝作为切入点,将其元素应用于现代女礼服设计中。以现代简约女礼服为载体,在面料上采用手绘工艺绘制沙燕、荷叶、蜻蜓等图案;使用硬纱和风筝原材料竹子缠绕制作立体梅花、荷花、牡丹等花卉造型,将其缝制于服装局部作为部分装饰;将竹条按服装造型制作成型,作为服装局部造型,如袖子、裙撑、蝴蝶结等,使得礼服造型既融合传统文化又符合现代美感。将潍坊风筝元素应用到女礼服设计中,使服装设计实现多样化,同时助推潍坊风筝制作工艺的传承与发展,对推动潍坊市文化和经济的发展具有重大意义。From the perspective of protecting national intangible cultural heritage,based on the field research of intangible culture in Weifang area,the Weifang kite was selected as the entry point,while its elements were applied to the design of modern women′s dresses.Taking modern simple women′s dresses as the design carrier,the drawings of sand swallows,lotus leaves,dragonflies and other patterns were hand-painted on the fabric.The hard yarn and kite raw material bamboo were used to make three-dimensional plum blossoms,lotus,peonies and other flower shapes,then they were sewn to some parts of the garment as part of the decoration.Bamboo strips were molded according to the shape of the garment as the partial shape of the garment,such as sleeves,bustles,bows,etc.,which made the dress shape not only integrate the traditional culture but also conform to the modern aesthetics.Applying Weifang kite elements to women′s dress design made the clothing design more diversified,while promoting the inheritance and development of Weifang kite-making technology,which was of great significance in promoting the development of culture and economy of Weifang.
分 类 号:TS941.2[轻工技术与工程—服装设计与工程]
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