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作 者:赵泳鑫 ZHAO Yongxin(School of Humanities,Kunming University,Yunnan650000,China)
出 处:《内江师范学院学报》2024年第1期12-16,共5页Journal of Neijiang Normal University
基 金:云南省教育厅科学研究基金项目“《诗经》悲秋意识探析”(2022Y781)。
摘 要:悲秋是我国文学中的重要主题。学界多以宋玉《九辩》为千古言秋之祖,但在《诗经》涉秋作品中,秋与人们的悲感反应,已经趋向于特定联系。这主要表现为因秋事生秋情,秋日入户及婚嫁习俗促成秋日怀归与忆情;秋物动情,秋虫、落叶、枯草、归雁、秋霜等悲秋意象初具雏形;《蒹葭》中清秋之景与凄迷之情相融合,意境朦胧,已是成熟的悲秋作品。《诗经》之后,悲秋意识成为中华民族文化心理的重要组成部分。Autumn melancholy is an important theme in Chinese literature.Scholars regard SONG Yu's Nine Contemplations as the origin of autumn poems throughout the ages.However,in the works related to autumn from The Book of Songs,the connection between autumn and people's sadness has become more specific.This is mainly manifested in the emergence of autumn emotions due to two aspects:autumn-related matters and the custom of autumn entering households and becoming a part of weddings.The two aspects contribute to the feelings of homesickness and nostalgia during autumn.Autumn elements such as autumn insects,falling leaves,withered grass,returning wild geese,and autumn frost,have begun to take shape as symbols of autumn melancholy.In Reeds,a poem in The Book of Songs,the scenery of serene autumn blends with a mind of melancholy and confusion,creating a hazy artistic conception,making it a mature work of autumn melancholy.After The Book of Songs,the awareness of autumn melancholy has become an important component of the cultural psychology of Chinese people.
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