孤岛与陪都:论抗战戏剧的在地化探索--以《夜上海》和《雾重庆》为中心  

The Isolated Island and the Provisional Capital:On the Localization Writing of the Dramas regarding Chinese War against Japanese Aggression

作　　者：刘诗晨 LIU Shichen(School of Art,Communication University of China,Beijing100024,China)

机构地区：[1]中国传媒大学艺术研究院,北京朝阳100024

出　　处：《内江师范学院学报》2024年第1期105-110,共6页Journal of Neijiang Normal University

摘　　要：左翼剧作家创作的抗战戏剧,通过在地化的书写构建地方意识,能调动民众有关沦陷家园的文化记忆,以此实现对城市生活的文化描摹与艺术化提炼。孤岛上海和陪都重庆分别作为沦陷区和大后方的精神堡垒,两地抗战戏剧创演在构建价值共同体的同时,也受到城市地理要素与地方人文景观的作用,由此呈现出不同面向。在这其中,吸纳海派传统的孤岛戏剧,因直面战场而无保留地彰显精神动员的主旨;地处西部内陆的大后方戏剧,由于受到多重政治势力博弈与权力话语争夺的影响,其表意相对趋于隐晦。Dramas regarding Chinese war against Japanese aggression created by left-wing playwrights,through localized writing,build local awareness and arouse cultural memories of people in the occupied areas due to Japanese aggression.Therefore,cultural depictions and artistic refinement of urban life can be realized.Shanghai,the isolated island,and Chongqing(a city in Southwest China),the provisional capital of the Republic of China,served as spiritual fortresses during the war in the occupied areas and the home front respectively.The creation and show of the dramas related to the war in these two cities constructed a community of shared value on one hand.The creation and show were influenced by geographical factors and local cultural landscapes,which presented different perspectives on the other hand.Among them,the drama from the isolated island,which incorporates the traditional style of Shanghai,intrepidly and directly demonstrates the theme of spiritual motivation by immediately confronting the battlefield.By contrast,the drama of home front in the inland of Southwest China,influenced by multiple political forces and disputes of power discourse,tends to be more obscure in its expression.

关 键 词：在地化 空间 景观 文化记忆 

分 类 号：J824[艺术—戏剧戏曲]