仙境题材山水画中“洞天福地”景观构成研究——以西岳华山为例  

A Study on the Landscape Composition of“Taoism Nature Sanctuary”in Fairyland Theme Landscape Painting:A Case Study of West Great Mountain Mount Hua

作　　者：陈璐 蔡宇威 杨豪中[1] CHEN Lu;CAI Yuwei;YANG Haozhong(School of Architecture,Xi’an University of Architecture and Technology,Xi’an,Shannxi,China,710055)

机构地区：[1]西安建筑科技大学建筑学院,西安710055

出　　处：《园林》2024年第2期86-93,共8页Landscape Architecture Academic Journal

基　　金：陕西省文化和旅游课题项目“陕西省传统工艺振兴工作研究”(编号:SWHHLYKT201910)。

摘　　要：“洞天福地”作为现实世界对神仙世界的再现,是道教修行的理想仙境,在山水画中多有体现。通过分析山水画图式语言的内在依据与表示手段两方面来说明道教之“道”与绘画之“道”的关系;以相关题材画作为例,分析此类绘画作品的图像系统及蕴含的道教景观意象,梳理其仙境景观构成要素,提取出“洞”“道观”“植物”“云气”4类主要构成要素;进一步解读各要素在建成景观西岳华山“洞天福地”景观意象中的内涵与表现。旨在挖掘“洞天福地”中典型案例的价值,丰富西岳华山洞天福地的相关研究。As a representation of the real world to the celestial world,“Taoism Nature Sanctuary”is an ideal fairyland for Taoist practice,which is often refl ected in landscape paintings.Through the analysis of the internal basis and means of expression of landscape painting schema language,the author explains the relationship between the“Tao”of Taoism and the“Tao”of painting.Taking re-lated subject paintings as examples,this paper analyzes the image system and the Taoist landscape image contained in such paint-ings,sorts out the fairy-land landscape components,and extracts four main components:“cave”“Taoist temple”“plant”and“cloud air”.It further interprets the connotation and expression of each element in the landscape image of“Taoism Nature Sanctuary”of West Great Mountain Mount Hua The purpose is to explore the value of typical cases in“Taoism Nature Sanctuary”and enrich the relevant research of Taoism Nature Sanctuary in West Great Mountain Mount Hua.

关 键 词：风景园林 山水画 洞天福地 景观构成 西岳华山 

分 类 号：TU986[建筑科学—城市规划与设计]