王韬与晚清印刷图像市场研究  

Wang Tao and Research on the Printed Image Market in the Late Qing Dynasty

作　　者：花宏艳[1] HUA Hongyan

机构地区：[1]暨南大学文学院

出　　处：《印刷文化（中英文）》2023年第4期25-36,75,共13页Print Culture

摘　　要：《点石斋画报》从1884年创刊的第六号开始以一图一文的形式连载王韬的笔记小说《淞隐漫录》《淞隐续录》和域外游记《漫游随录》。《点石斋画报》的文学增刊一方面向明清木刻版画学习,以程式化的方法使机械复制品焕发出生命隐喻,从而避免陷入装饰性的低级趣味;另一方面,《淞隐漫录》等文学插图具有与新闻图像共同的美学旨趣,展示出晚清中国奇观社会的视觉转向。在申报馆拓展并建立晚清印刷图像市场的过程中,王韬的文学作品和文化身份起到了重要的推助作用。Starting from its 6th issue in 1884,Dianshizhai Pictorial has serialized Wang Tao's literary sketches Songyin Manglu,Songyin Xulu and Manyou Suilu in image-text form.On the one hand,the literary supplement of Dianshizhai Pictorial learned from the woodcut prints of the Ming and Qing Dynasties,using a stylized method to make mechanical reproductions full of life metaphors,thereby avoiding falling into decorative vulgar interests.On the other hand,Songyin Manglu and other literary illustrations have the same aesthetic purpose as news images,showing the visual shift towards China's society of spectacle in the late Qing Dynasty.Wang Tao's literary works and cultural identity played an important role in promoting and establishing the printed image market in the late Qing Dynasty.

关 键 词：《点石斋画报》 王韬 美查 印刷图像市场 

分 类 号：K252[历史地理—历史学]