后殖民主义语境下中国台湾电影本体意识的构建矛盾——以《赛德克·巴莱》为中心  

The Contradiction in Constructing the Ontological Consciousness of Taiwan Residents Films in the Context of Postcolonialism——Centering Around Seediq Bale

作　　者：牛振宇 Niu Zhenyu(School of Liberal Arts,Nanjing Normal University,Nanjing Jiangsu 210024,China)

机构地区：[1]南京师范大学文学院,江苏南京210024

出　　处：《天水师范学院学报》2023年第6期79-84,共6页Journal of Tianshui Normal University

摘　　要：《赛德克·巴莱》是导演魏德圣反映日据时期台湾地区少数民族反抗日本殖民统治的一部电影。在影片中,导演通过描写赛德克人身份的自我意识构建、部分台湾地区少数民族身份认同危机,展示出导演自我矛盾的错误观点。对《赛德克·巴莱》这样的本土电影而言,若想要承担自己应有的历史使命,就不能停留在自身撕扯和矛盾的历史想象中,而是应该追本溯源重新回到历史场域中寻找与祖国内地的血脉关系,将民族的命运与中华文明发展紧密联系在一起。Seediq Bale is a film directed by Wei Desheng that reflects the resistance of ethnic minorities in Taiwan against Japanese colonial rule during the Japanese occupation period.In the film,the director por-trays the self-awareness construction of the Seediq identity and the crisis of ethnic minority identity in some parts of Taiwan,revealing the director's erroneous viewpoint of self contradiction.For local films like Seediq Bale,if they want to shoulder their rightful historical mission,they cannot stay in their own torn and contra-dictory historical imagination.Instead,they should trace back to the historical field and search for their bloodline relationship with the mainland of China,closely linking the fate of the nation with the development of Chinesecivilization.

关 键 词：《赛德克·巴莱》 后殖民主义 魏德圣 人物叙事 

分 类 号：G122[文化科学]