拉魂腔唱腔音乐特色摭谈  

Musical Characteristics of the Aria Music of the Soul-Pulling Singing Tune

作　　者：薛雷[1] XUE Lei(School of Music,Nanjing Art Institute,Nanjing,Jiangsu 210013)

机构地区：[1]南京艺术学院音乐学院,江苏南京210013

出　　处：《艺术百家》2023年第6期84-91,共8页Hundred Schools In Arts

基　　金：2017年度江苏省社科基金一般项目“拉魂腔音乐及其流变研究”(项目编号:17YSB003)阶段性成果之一。

摘　　要：拉魂腔是流布于淮海地区的最具影响力的地方戏曲,其唱腔音乐特色也最能凸显拉魂腔戏曲艺术之风格。拉魂腔唱腔音乐主要源自淮海地区方言的音乐化、地方性的传统民间音乐以及当地生活用语音调,进而形成了拉魂腔唱腔音乐独特的风格特色,具体表现为自由组合的音乐结构、以闪板为主体的板式、常态的大跳音程、相对独立的乐句,以及调式调性的频繁转调。认知与掌握拉魂腔唱腔音乐特色,不但有助于当下拉魂腔音乐的艺术创作,而且在一定程度上能够促进当下拉魂腔艺术的传承与传播。The Soul-Pulling Singing Tune is the most influential local opera in Huaihai area,and its aria music char-acteristics can also highlight the style of this kind of art.The aria music of the Soul-Pulling Singing Tune is mainly from the Huaihai region of the dialect music,local traditional folk music and local life tone,and then formed the u-nique style of it,specifically in the free combination of the musical structure,to flash plate as the main plate,the nor-mal big jump intervals,relatively independent phrases,as well as the use of tonal tonality frequent transposition.Rec-ognizing and mastering the musical characteristics of the aria music of the Soul-Pulling Singing Tune not only helps the creation of the Soul-Pulling Singing Tune music,but also promotes the inheritance and dissemination of the Soul-Pulling Singing Tune art to a certain extent.

关 键 词：拉魂腔 唱腔音乐 音乐结构 大跳音程 频繁转调 

分 类 号：J802[艺术—戏剧戏曲]