青海地区加牙藏毯的传统文化寓意与设计考察  

The Traditional Cultural Significance and Design Exploration of the Jia Ya Tibetan Carpet in Qinghai Region

作　　者：张成义[1] 丁零 ZHANG Cheng-yi;DING Ling(College of Textile and Clothing,Qingdao University,Qingdao,Shandong 266071;Academy of Fine Arts,Nanjing Normal University,Nanjing,Jiangsu 210023)

机构地区：[1]青岛大学纺织服装学院,山东青岛266071 [2]南京师范大学美术学院,江苏南京210023

出　　处：《艺术百家》2023年第6期156-162,共7页Hundred Schools In Arts

基　　金：2021年度国家社科基金艺术学一般项目“清明上河图里的北宋服饰文化及设计研究”(项目编号:21BG103)阶段性成果之一。

摘　　要：世界三大名毯之一的藏毯是藏族民间艺术的重要瑰宝。青海地区多民族聚居的属性,使得精品藏毯发源地加牙村所织藏毯具有多元文化融合属性,以其独特的图案、艳丽的色彩等闻名遐迩。在建党百年之际,习近平总书记在调研青海时着重强调手工藏毯的重要价值及创新意义,这是藏毯在当下发展的又一次契机。论文对加牙藏毯的文化寓意、装饰图案、色彩风格以及材质工艺进行系统分析,使用多种现代艺术表现形式重构这一古老的技艺,形成传统手工艺创新发展的设计策略,力求开拓藏毯元素的创新路径。Tibetan carpet,one of the three world-renowned carpets,isan important treasure of Tibetan folk art.Due to the multi-ethnic settlements in Qinghai Province,the place of origin for exquisite Tibetan carpets,Jia Yu Village,possesses the attribute of cultural integration,and is renowned for its unique patterns and vibrant colors.On the occa-sion of the 10Oth anniversary of the founding of the Communist Party of China,President Xi Jinping emphasized the important value and innovative significance of handmade Tibetan carpets during his research in Qinghai,providing an-other opportunity for the development of Tibetan carpets in the present era.This article provides a systematic analysis of the cultural symbolism,decorative patterns,color styles,and material craftsmanship of Jia Yu Tibetan carpets.It utilizes various forms of modern artistic expression to reconstruct this ancient technique,forming a design strategy for the innovative development of traditional handicrafts,aiming to explore new paths for the innovation of Tibetan carpet elements.

关 键 词：藏毯 非遗手工艺 中国传统手工艺 设计应用 

分 类 号：J802[艺术—戏剧戏曲]