新中国初期党关于文化领导权问题的实践探索——以电影《武训传》为例  

The Early Practice of the Communist Party of China on Cultural Leadership Issues in the Early Period of New China:Taking the Movie“The Story of Wu Xun”as an Example

作　　者：郭士礼 赵鸿泰 GUO Shili;ZHAO Hongtai(Marxism College,Chengdu University of Technology,Chengdu,Sichuan610059,China)

机构地区：[1]成都理工大学马克思主义学院,成都610059

出　　处：《成都理工大学学报（社会科学版）》2023年第6期24-30,共7页Journal of Chengdu University of Technology:Social Sciences

基　　金：四川省哲学社会科学“十四五”规划2022年度重点项目(SC22A027)。

摘　　要：确立马克思主义在文化思想建设的主导地位,确保文化领导权问题是新中国初期党和国家关注的重点问题。对电影《武训传》批判的初衷是澄清中国思想文化界的“混乱思想”,确立马克思主义在思想文化领域的主导地位,同时也是新中国成立初期党的文化领导权建设的初步实践探索。从文化领导权的高度去认识新中国成立后不久发动的对电影《武训传》的批判的文化运动,对于我们当今的文化建设、文化领导权问题有着重要的启发意义。Establishing the dominant position of Marxism in cultural and ideological construction and ensuring the issue of cultural leadership were key concerns of the Party and the state in the early period of New China.The initial intent of critiquing the film“The Story of Wu Xun”was to clarify the“confused thoughts”in the Chinese intellectual and cultural fields,to establish the leading position of Marxism in the realm of thought and culture,and also to explore the early practices of the Party’s cultural leadership in the initial period after the establishment of New China.Understanding the cultural movement launched shortly after the founding of New China,which involved the critique of the film“The Story of Wu Xun,”from the perspective of cultural leadership,has significant implications for our contemporary cultural construction and issues of cultural leadership.

关 键 词：马克思主义 文化领导权 《武训传》 

分 类 号：D25[政治法律—政治学]