枕上诗与诗中枕:宋金瓷枕的文学阅读及诗化策略  

Poems on Pillow and Pillows in Poem:LiteraryReading and Poetic Strategy of Ceramic Pillows During the Song and Jin Dynasties

作　　者：蒲柏林 Pu Bolin

机构地区：[1]四川大学中国俗文化研究所

出　　处：《励耘学刊》2023年第2期126-142,306,307,共19页

基　　金：教育部人文社会科学青年课题“墨迹石刻宋诗的文本生成与文化观照研究”,项目编号为22YJC751042;中国博士后科学基金第74批面上资助项目“物质载体与唐宋诗歌的经典化研究”,项目编号为2023M742505。

摘　　要：宋金时期磁州窑系生产的诗文瓷枕因山西河津窑址的发现得到补充。瓷枕上书写之诗不仅具有校勘、辑佚价值,也使迥异于传统文学史的民间诗歌旨趣浮出水面。消暑功能、枕面规制、供需关系共同决定了瓷枕题诗偏好清幽自然风物、篇幅短小、语意浅近的特点,卖家采取文字装饰的策略以迎合市场需求,实现了普通商品的诗化。瓷枕在与文人的互动中,通过结合传奇故事、调动诗人知觉感官等方式,由日常生活用品化作催生诗思的意向性媒介,构建起立体的诗意空间,物与诗、俗与雅之间形成多层次关联。“阅读”宋金瓷枕,展开物质文化考察,有助于读者重返创作原境,从而以意逆志。Ceramic pillows with poems from the Song and Jin Dynasties produced at the Cizhou kiln system have been supplemented by the discovery of the Hejin kiln site in Shanxi.The poems writen and inscribed on them not only have the value of proofreading and anonymity,but poetic interests of the folk,which is very different from those of traditional literary history,also emerge.The factors as the function of coolness,pillow surface regulations,and the relationship of supply and demand determine the characters of ceramic pillow poems for the natural and tranquil,short,and shallow,and the sellers adopted the strategy of textual decoration to meet market demand and achieve the poeticisation of ordinary commodities.In the interaction with the literati,the ceramic pillow was transformed from an everyday object into an intentional medium for poetic thought by combining legendary stories and mobilising the poet's perceptual senses,building a three-dimensional poetic space,with a multi-layered connection between object and poetry,the elegance and vulgarity."Reading"the Song and Jin ceramic pillows and examining their material culture will help the reader return to the original context of creation,thus countering the will with the will.

关 键 词：磁州窑系瓷枕 物质载体 物质文化 雅俗互动 

分 类 号：I207.22[文学—中国文学] K244[历史地理—历史学] K246.4[历史地理—中国史]