当代“弱建筑”现象研究——以日本建筑师藤本壮介与隈研吾为例  

On the Phenomenon of Contemporary Weak Architecture: Case Studies of Japanese Architects Sou Fujimoto and Kengo Kuma

作　　者：王发堂[1,2] 周琪娈 WANG Fatang;ZHOU Qiluan(School of Civil Engineering and Architecture,Wuhan University of Technology;Wuhan University of Technology)

机构地区：[1]天津大学 [2]武汉理工大学土木工程与建筑学院 [3]武汉理工大学

出　　处：《世界建筑》2023年第12期32-37,共6页World Architecture

摘　　要：“弱建筑”是对抗现代主义建筑一家独大的产物,它强调现象本身而非现象之间的先验关系,模糊性、复杂性和不确定性充斥其中。本文以信息时代与瓦蒂莫的“弱思想”为背景,从功能与关系两方面分析“强建筑”(现代主义建筑)在信息时代中的违和感及“弱建筑”产生的原因,继而以日本著名建筑师藤本壮介和隈研吾为例来阐述“弱建筑”的诞生及其典型的特征,并分,析“弱建筑”在当代的必要性以及对未来建筑发展的可能影响。Weak Architecture is a product of the struggle against the dominance of modernist architecture.It emphasises phenomena rather than a priori relationships between phenomena in order to create ambiguity,amorphousness,and a multitude of potentialities.This paper firstly analyses the sense of contradiction of Strong Architecture(Modernist Architecture)in the information era and the reasons for the emergence of Weak Architecture from the two aspects of function and relationship,based on the background of the information era and Vattimo's theory of the"weak thought".Ten it takes the thoughts and works of Japanese architects Sou Fujimoto and Kengo Kuma as examples to illustrate the emergence of Weak Architecture and its typical characteristics,and analyses the necessity of the emergence of Weak Architecture in contemporary times and its influence on the future development of architecture.

关 键 词：信息时代 弱建筑 强建筑 藤本壮介 隈研吾 

分 类 号：TU-86[艺术—艺术设计]