历代词人对晏殊《珠玉词》的创作接受  

A Study on the Creation Acceptance of Yan Shu’s Zhuyu Ci by Later Ci Poets

作　　者：张悠然 ZHANG Youran(School of Chinese Language and Literature,Soochow University,Suzhou 215000,China)

机构地区：[1]苏州大学文学院,江苏苏州215000

出　　处：《湖南工程学院学报（社会科学版）》2023年第4期57-62,98,共7页Journal of Hunan Institute of Engineering(Social Science Edition)

基　　金：江苏省第二十四批大学生课外学术科研基金一般项目“历代词人对珠玉词的创作接受研究”(KY20220190B)。

摘　　要：晏殊作为北宋词坛的重要词人,其《珠玉词》以清新流丽的语词、天然华美的意象和含蓄雅致的情思见长,后世词人或取用《珠玉词》中的丽词佳句,或使用其艺术手法,模仿其起承转合以继承晏殊词的创作长处。后世词人对晏殊作品的接受形成主要可分为袭用与截取、改易与增缩、点化与仿写三个部分。而历代词人对《珠玉词》的创作接受,离不开《珠玉词》在词史中的地位与影响力,离不开《珠玉词》本身所具有的特性,也离不开晏殊令词与文人词创作审美的契合。Yan Shu,a famous poet in the Northern Song Dynasty,is famous for his fresh and beautiful words,natural and beautiful images,and implicit and elegant feelings.Later generations of Ci writers either use the beautiful words and sentences in the Zhuyu Ci,or use their artistic techniques to imitate its succession and combination to inherit the creative strengths of Yan Shu’s Ci.The acceptance of his works by later generations of poets can be mainly divided into copying and interception,increase and decrease and change,refinement and imitation,which have completed the inheritance and renewal of the meaning and power of Zhuyu Ci.The creation and acceptance of Zhuyu Ci by the poets of later dynasties cannot be separated from the status and influence of Zhuyu Ci in the history of Ci,the characteristics of Zhuyu Ci itself,and the combination of Yan Shu’s Ci and the creation and aesthetic of literati Ci.

关 键 词：晏殊 《珠玉词》 创作接受 

分 类 号：I222.8[文学—中国文学]