“落华就实,直造简远”——论黄庭坚宜州之贬诗作的艺术新变  

“Peeling off the Surface of the Glitz and Toward the Inner Essence,in Order to Achieve a Simple and Leisurely Artistic Realm”—On the Artistic Changes of Huang Tingjian’s Derogatory Poems in Yizhou

作　　者：丁畅 王友胜[2] DING Chang;WANG Yousheng(School of Literature,Journalism&Communication,South Central Minzu University,Wuhan 430074,China;Research Center of Ancient Chinese Literature and Social Culture,Hunan University of Science and Technology,Xiangtan 411201,China)

机构地区：[1]中南民族大学文学与新闻传播学院,湖北武汉430074 [2]湖南科技大学中国古代文学与社会文化研究基地,湖南湘潭411201

出　　处：《湖南工程学院学报（社会科学版）》2023年第4期63-68,共6页Journal of Hunan Institute of Engineering(Social Science Edition)

摘　　要：论及黄庭坚的诗歌,前人多以“生新瘦硬”“奇崛拗峭”概之,然这种诗歌风貌主要展现在其前期诗歌创作中。宜州之贬乃黄庭坚生命旅途的最后一站,在党争文学这一大背景影响下,此时期的黄庭坚在思想及艺术上均达到了炉火纯青的境地,意欲走上“平淡自然”“无意与诗”的诗学道路。这种诗学走向使其在章法结构、句法字法、使事用典等方面更为注重外在形式的平易与深层内蕴精到的统一。其诗风亦随着艺术技巧的不断深化而发生转变,追求自然高妙、返璞归真的圆熟之境,并在创作上表现出平淡简放、温柔敦厚及旷达劲健之态。When it comes to HUANG Tingjian’s poems,the predecessors often refer to him as“born new,thin and hard”and“peculiar and eccentric”.However,this kind of poetic style is mainly displayed in his early poetry creations.The relegation to Yizhou was the last stop of Huang Tingjian’s life journey.Under the influence of the Northern Song Dynasty faction on literature,Huang Tingjian reached a high level of perfection both in thought and art at that time,intending to take the poetics road of“plain and natural”and“unintentional and poetic”.This trend in poetics makes it pay more attention to the unity of the plainness of the external form and the profoundness of the deep connotation in the aspects of the structure of rules,the syntax of words,and the use of words.Huang’s poetic style transformed as his artistic skills deepened.He pursued a state of natural and elegant,returning to the original simplicity of the mellow state.His creations exhibited a plain and simple manner,as well as a gentle and broad disposition,along with a broad and vigorous spirit.

关 键 词：黄庭坚 南迁宜州 艺术新变 平淡闲远 

分 类 号：I207.22[文学—中国文学]