贡嘎曲德寺经堂一层佛殿题材组合与历史溯源  

The Theme Combination and Tracing Historical Origin of the Buddha Hall in Gong dkar chos sde Monastery’s Main Hall on the First Floor

作　　者：褚丽[1] 袁頔 Chu Li;Yuan Di

机构地区：[1]西藏自治区民族艺术研究所 [2]浙江大学艺术与考古学院

出　　处：《西藏艺术研究》2023年第4期76-82,共7页Tibetan Art Studies

基　　金：2021年度西藏自治区哲学社会科学专项资金青年项目:“明代贡嘎曲德寺《如意藤》壁画与西北地区佛传壁画的风格渊源研究”(项目编号:21CYS01)阶段性成果。

摘　　要：贡嘎曲德寺创建者贡嘎南杰之传记中对寺院营建的记载颇为详细,本文通过解读传记内容明晰贡嘎曲德寺经堂一层佛殿的绘塑配置,并梳理出殿堂内部结构。同时,借助古代西藏史料以及相关艺术遗存,对该佛殿诸题材进行历史溯源。认为在西藏寺院营建的悠久传统与典型案例深刻影响的基础上,贡嘎南杰作为声名显赫的高僧,其个人经历对于寺院营建的主题选择亦有着决定性作用。The biography of Kun dga’rnam rgyal,the founder of Gong dkar chos sde Monastery,provides detailed records of the monastery's construction.By interpreting the content of the biography,this paper aims to clarify the configuration of painting and sculpture on the first floor of Buddha Hall,which is the monastery's main hall,and to gain more insights into the internal structure of the hall.At the same time,we can trace the historical origins of various themes in this Buddha Hall by referring to ancient Tibetan historical materials and related artistic relics.Based on the profound influence of the long-standing tradition and typical cases of Tibetan monastic construction,and Kun dga’rnam rgyal as a renowned high-ranking monk,his personal experiences played a decisive role in the theme selection of monastery construction.

关 键 词：贡嘎曲德寺 佛殿结构 题材组合 历史溯源 

分 类 号：J202[艺术—美术]