民族团结抒写与中华民族共同体意识建构:话剧《文成公主》演出考察  

The Expression of National Unity and Building the Consciousness of Community of the Chinese Nation:A Study on the Performance of the Drama"Princess Wencheng"

作　　者：毛夫国[1] Mao Fuguo

机构地区：[1]中国艺术研究院话剧研究所

出　　处：《西藏艺术研究》2023年第4期93-101,共9页Tibetan Art Studies

摘　　要：1962年3月上海戏剧学院藏族表演班在北京用藏语演出了话剧《文成公主》,采用田汉剧本,演出本经过了压缩和调整。《文成公主》的演出对西藏话剧团具有重要意义,民族团结抒写的话剧《文成公主》对于当下中华民族共同体意识建构具有重要意义。本文对《文成公主》演出的相关史料进行了辨析。In March 1962,the Tibetan performance class of the Shanghai Theater Academy performed the play"Princess Wencheng"in Tibetan language in Beijing,using Tian Han’s script,and the performance play was compressed and adjusted.The performance of"Princess Wencheng"is significant to the Xizang Drama Troupe."Princess Wencheng"expresses national unity and holds great significance to the construction of the current consciousness of the Chinese national community.This article also analyzes relevant historical materials about the performance of"Princess Wencheng."

关 键 词：藏族表演班 《文成公主》 中华民族共同体意识建构 

分 类 号：J824[艺术—戏剧戏曲]