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作 者:杜伟 蒋方舟 Du Wei;Jiang Fang-Zhou(West Anhui University,Lu’an,Anhui 237000,China;Tamburi University,Bangkok 10107,Thailand)
机构地区:[1]皖西学院,安徽六安237000 [2]曼谷吞武里大学,泰国曼谷10107
出 处:《四川民族学院学报》2023年第5期96-101,共6页Journal of Sichuan Minzu College
摘 要:说唱音乐的黄金时代是清代,虽然弹词、鼓词、宝卷等在前朝早就作为一种说唱艺术在不断发展,但这些艺术形式达到鼎盛却是在清朝时期。其中“鼓词”作为广泛流传于北方地区的说唱音乐形式最为普及。贾凫西的鼓词又称木皮词,盖其别号“木皮散客”,看其内容,多为批点历史、褒贬人物,前溯源宋元讲史,近取法元明词话;观其形式,皆先起以声歌,断句以叙说,辅以俚语方言,自然成韵,雅俗共赏;究其内核,贾凫西以其鼓词来解构帝王将相的神圣。The golden age of rap music was the Qing Dynasty(1616-1911).Although fiddle ballads,drumming art,Baojuan art,etc.had long been developing as a kind of rap art in the former dynasty,these art forms reached their peak in the Qing Dynasty.Among them,drumming art is the most popular form of rap music widely spread in the north.Jia Fuxi’s drumming art is also known as Mupi art,and its nickname is“Mupi Sanke”.Judging from its content,most of them are criticizing history,praising and criticizing people,traced back to the Song,Yuan and Ming dynasties.In terms of their forms,they all start with songs,break sentences to narrate,supplemented by slang and dialects,natural rhymes appreciated by both refined and common people.As for its core,Jia Fuxi deconstructs the sanctity of emperors,generals and ministers with his drum art.
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