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作 者:管欣 蔡建梅[2] GUAN Xin;CAI Jianmei(School of Fashion Design&Engineer,Zhejiang Sci-Tech University,Hangzhou 310018,China;School of International Education and International College of Fashion Technology,Zhejiang Sci-Tech University,Hangzhou 311103,China)
机构地区:[1]浙江理工大学服装学院,浙江杭州310018 [2]浙江理工大学国际时装技术学院,浙江省丝绸与时尚文化研究中心,浙江杭州311103
出 处:《染整技术》2024年第1期111-113,共3页Textile Dyeing and Finishing Journal
摘 要:梅花纹作为一种传统植物纹样,萌发于战国,发展于隋唐,成熟于宋代。研究福州黄昇墓、茶园山宋墓等出土的宋代服饰,并结合相关史料文献与图像资料,从题材、造型、构图3方面分析梅花纹的艺术特征和文化意蕴。As a traditional plant pattern,plum blossom pattern originated in the Warring States Period,developed in the Sui and Tang dynasties,and matured in the Song dynasty.This paper summarized and combed the Song dynasty clothing unearthed in Huangsheng Tomb and Chayuanshan Song tomb in Fuzhou,and combined with relevant historical documents and image materials,analyzed its artistic characteristics from three aspects of subject matter,composition and modeling,and then explained its artistic characteristics and cultural implications.
分 类 号:TS941.2[轻工技术与工程—服装设计与工程]
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