青花釉里红装饰色彩表现探析  

Analysis of the Color Expression of Blue and White Underglaze Red Decoration

作　　者：喻书红 汤梦瑶 Yu Shuhong;Tang Mengyao(Yu Shuhong Ceramic Art Studio,Jingdezhen,333000;Ceramic Research Institute of Light Industry of China,Jingdezhen 333001)

机构地区：[1]喻书红陶艺工作室,景德镇333000 [2]中国轻工业陶瓷研究所,景德镇333001

出　　处：《陶瓷研究》2023年第6期123-125,共3页Ceramic Studies

摘　　要：青花釉里红装饰属于陶瓷综合装饰之一。青花釉里红装饰产生于元代,并在明代早期继续发展,明代中后期曾中断,而至清康熙时期又得到复兴,并绵延发展至今。青花釉里红装饰在色彩表现上具有简洁纯粹的双色效果、鲜明强烈的色彩对比、丰富多样的色彩补充等特征。青花釉里红装饰通过分水技法、泼彩技法、综合装饰等技法,产生了丰富多样的色彩表现。Blue and white underglaze red decoration belongs to one of the comprehensive ceramic decorations.Blue and white underglaze red decoration originated in the Yuan Dynasty and continued to develop in the early Ming Dynasty.It was interrupted in the middle and late Ming Dynasty,but was revived during the Kangxi period of the Qing Dynasty and has continued to develop to today.Blue and white underglaze red decoration has the characteristics of simple and pure dual color effect,bright and strong color contrast,and rich and diverse color supplements in color expression.The blue and white underglaze red decoration has produced rich and diverse color expressions through various techniques such as water separation,color splashing,and comprehensive decoration.

关 键 词：青花釉里红 色彩表现 特征 技法 

分 类 号：J527[艺术—艺术设计]