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作 者:赵顺宏[1] 卜梦怡 Zhao Shunhong;Bu Mengyi
出 处:《浙江学刊》2024年第1期182-190,240,共10页Zhejiang Academic Journal
基 金:国家社会科学基金项目“文化融汇视野中的当代汉语边地小说研究”(20BZW169)阶段性成果。
摘 要:对于当代边疆地区极为丰富的文学现象,相当长的时期里,人们是从少数民族文学这一视角加以认知和理解的。少数民族文学这一学科概念在突出民族文化特质的同时又有局限在民族文化内部之嫌。回溯边疆地区的社会变迁和文化演进,不难发现,边疆地区的民族与文化融合与近现代以来民族国家意识转变紧密关联,正是这种融合与相互作用促成了边地创作的发生和发展。认为将相关创作现象置于“边地”这一文学地理空间,其审美内蕴可能会得到更为恰切的阐释,并且,其民族文化特质也或将得到更恰当的凸显。For a long time,scholars have recognized and understood the rich literary phenomena in contemporary border areas from the perspective of ethnic minority literature.The concept of ethnic minority literature tends to be limited within ethnic cultures by highlighting their cultural characteristics.Starting from the social and historical cultural changes in the border areas,it is not difficult to find that the integration of ethnic and cultural elements in border areas is closely related to the transformation of national consciousness since modern times.Meanwhile,close to the creative process,it is this fusion and interaction that promotes the aesthetic occurrence of such creations.Therefore,it is believed that placing relevant creative phenomena in the literary geographical space of"borderland"may provide a more appropriate interpretation of their aesthetic connotations,and highlight their ethnic cultural characteristics.
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