独木龙舟神话的多重表达:从《清水江苗族独木龙舟文化研究》说开去  

Multi-faceted Expressions of the Canoe Dragon Boat Mythology:Starting from A Study of the Miao Canoe Dragon Boat Culture of the Qingshuijiang River

作　　者：陈兴元 靳志华 刘锋 CHEN Xing-yuan;JIN Zhi-hua;LIU Feng(College of History and Ethnic Culture,Guizhou University,Guiyang,Guizhou,550025;College of Tourism and Cultural Industry,Guizhou University,Guiyang,Guizhou,550025)

机构地区：[1]贵州大学历史与民族文化学院,贵州贵阳550025 [2]贵州大学旅游与文化产业学院,贵州贵阳550025

出　　处：《贵州师范学院学报》2024年第1期78-84,共7页Journal of Guizhou Education University

基　　金：2017年贵州省哲学社会科学规划文化单列重大课题“清水江苗族独木龙舟文化圈及其全域旅游研究”(2017GZWH08);2022年贵州省哲学社会科学规划课题“贵州清水江流域民族交往与文化共享的地方实践经验研究”(2022GZYB77)。

摘　　要：神话是古人借神之名创造的一种话语,是古人智识的浓缩,具有多重意涵。流传于清水江中游地区的苗族独木龙舟神话,既承载着当地苗族的族群记忆,体现区域社会运作的制度性逻辑,也见证着民族交流交往交融的不同层次和曲折历程。独木龙舟神话的构建与重构是当地苗族社会的政治、经济、文化、地理、时空、情感认知等多方力量协商平衡的结果,更是该社会有序化生存的情理表达。Myth is a kind of discourse created by the ancients in the name of god.It is the condensed wisdom of the ancients with multiple meanings.The Miao canoe dragon boat myths circulated in the mid-stream area of Qingshuijiang River carry with them the memory of the local Miao group,reflect the institutional logic of the local society and witness the different layers and winding courses of ethnic interactions and integration.The construction and reconstruction of the canoe dragon boat myths are the product of compromises reached between political,eco-nomic,cultural,geographic,spatio-temporal and emotive cognitive powers of the local Miao society.and more importantly,the reasonable expressions of orderly survival of the society.

关 键 词：独木龙舟神话 清水江苗族 多重表达 

分 类 号：C951[社会学—民族学]