王夫之诗歌评点中“清”的内涵  

The Connotation of“Qing”in Wang Fuzhis Poetry Comments

作　　者：贺艳艳 HE Yan-yan(School of Chinese Language and Literature,Henan University,Kaifeng 475000,China)

机构地区：[1]河南大学文学院,河南开封475000

出　　处：《汉江师范学院学报》2024年第1期24-30,共7页Journal of Hanjiang Normal University

摘　　要：王夫之是明末清初第一流的学者,对古典诗歌的评论研究造诣很深,留存至今的《古诗评选》《唐诗评选》《明诗评选》中包含了丰富的诗学思想。其中,“清”作为重要的诗学概念,多次被提及,这其中固然有对以往诗论思想的汲取,然而更多地体现了王夫之对“中和”诗美理想的坚守和对明代诗歌的反思。不仅如此,“清”的内涵外延还被后世的评论家吸收,促成了诗学评论的代际转变。Wang Fuzhi was the first-class scholar in the late Ming and early Qing dynasties,and he had a deep re-search on the criticism of classical poetry.The criticism and collection of ancient poems,Tang poems and Ming poems contain abundant poetic thoughts.Among them,“Qing”,as an important poetic concept,has been mentioned many times,which is certainly the absorption of the previous poetic ideas,but more a demonstration of Wangs reflection on the poetry of the Ming Dynasty.Moreover,the connotation and extension of“Qing”were absorbed by the later critics,which contributed to the inter-generational change of poetic criticism.

关 键 词：王夫之 诗歌评选 “清” 继承与反思 

分 类 号：I207.22[文学—中国文学]