《生死场》民俗描写的文化内涵新探  

A New Interpretation of the Cultural Connotation of Folk Customs in The Field of Lifeand Death

作　　者：姜丽清 陈园园 JIANG Liqing;CHEN Yuanyuan

机构地区：[1]吉林师范大学新闻与传播学院

出　　处：《吉林省教育学院学报》2023年第12期175-179,共5页Journal of Jilin Provincial Institute of Education

基　　金：吉林省社会科学基金项目“现代东北女性文学与民俗文化研究”(2020B158);吉林省社会科学基金项目“传播学视域下东北作家对东北形象建构研究”(2020B162)。

摘　　要：萧红的小说《生死场》中有许多民俗描写,不仅构成了萧红小说的一大特色,而且蕴含着丰富的文化内涵,值得后人不断探析。在婚俗描写中,萧红揭示了封建婚俗的落后及社会对女性的压迫;在有关“生”与“死”的相关民俗描写中,萧红揭示了东北人民生的徒劳与死的卑微;在有关民俗的历史传承性的表现中,萧红揭示了代代相传的民俗对于人性的束缚与思想的禁锢。萧红借民俗描写所揭示的文化内涵,不仅承续着她一贯的启蒙主题,批判国民的愚昧与落后的国民性,也让我们看到了她对女性的关怀及对人的生命与价值的探索。There are many folk custom descriptions in Xiao Hong's novel The Field of Life and Death,which not only constitutes a major feature of Xiao Hong's novels,but also contains rich cultural connotation,which is worthy of continuous exploration by future generations.When talking about marriage customs,Xiao Hong reveals the oppression of the backward feudal marriage custom over women.As for the customs about life and death,she reveals the futile life and humble death of the northeast people.In the expression of the historical inheritance of folk customs,she reveals the bondage of folk customs handed down from generation to generation to human nature and the imprisonment of thought.The cultural connotation revealed by Xiao Hong's folk description not only carries on her consistent enlightenment theme,criticizes the ignorance and backward national character of the people,but also makes the reader realize her concern for women and the exploration of human life andvalues.

关 键 词：萧红《生死场》 民俗 文化内涵 

分 类 号：I106[文学—世界文学]