《道林·格雷的画像》中人画换脸的悲剧新解  

A New Interpretation about the Tragedy of the Face Swapping Between Human and Portrait in The Picture of Dorian Gray

作　　者：赵嘉琦 高超[1] ZHAO Jia-qi;GAO Chao(Chinese Language and Literature,Shanxi Normal University,Taiyuan Shanxi,030031)

机构地区：[1]山西师范大学文学院,山西太原030031

出　　处：《山西大同大学学报（社会科学版）》2024年第1期112-117,共6页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：王尔德在《道林·格雷的画像》中对肖像画的艺术处理和情节设定更加复杂和成熟,他以肖像画为核心构建了一场人画换脸的悲剧,设定了三个与肖像画相关的三个谜题,这表明王尔德已认识到肖像画的独特意义,而肖像画也成为他表达唯美主义理念的常用媒介和解读作品的关键。《道林·格雷的画像》中以肖像画为核心串联起与身体、道德和自我相关的议题,肖像画对模特的相似性再现和肖像画具有的典范性和相对独立性使小说中人画换脸的情节设定成为可能,人画换脸的实质是主体脸的置换、感官的丧失和身体的缺席,以及由此造成的人的生命力和可能性的丧失。同时,道林对肖像画的刺杀从根本上源于本就不甚稳固的认知基础和价值建构的坍塌。Oscar Wilde’s artistic treatment of portraits and plot settings in The Picture of Dorian Gray is more sophisticated and mature.He rehearses a tragedy of the face swapping between human and portrait with portraits as the core and sets three puzzles related to portraits,which shows that Wilde has recognized the unique significance of portraits and the special category in the history of Western paintings.At the same time,the portraits have become the common medium to the interpretation of his works and the key to express his concepts of aestheticism.Portraits are used to the centerpiece which connected issues about morality,body,and the self in The Picture of Dorian Gray.The similarity and relative independence of portraits to models make the plot of the novel’s faceswapping possible,and the essence of face-swapping is the replacement of the subject’s face,the loss of the senses,the absence of the body,and the consequent loss of vitality and possibilities.Meanwhile,Dorian’s assassination of the portrait is fundamentally rooted in the collapse of an already shaky cognitive foundation and value construction.

关 键 词：《道林·格雷的画像》 肖像画 身体 自我 道德 脸 面具 

分 类 号：I106.4[文学—世界文学]