博尔赫斯小说中诺斯替书写的文本政治维度  

The Dimension of Textual Politics of Gnostic Writing in J.L.Borges'Novels

作　　者：夏乐 XIA Le

机构地区：[1]南开大学文学院

出　　处：《国外文学》2023年第4期22-32,共11页Foreign Literatures

摘　　要：以往的博尔赫斯批评多侧重以“非现实”为特性的审美诗学,忽略了其创作的现实内涵。现代性思想面临的一个基本问题范畴在于人与其生存的整体现实之间的关系以及如何对这个关系进行审视。博尔赫斯正是在拉美本土的传统与现实的具体困境中以文学表述的样态给予了回应与省思。基于阿根廷的伊比利亚天主教传统与20世纪社会政治现实之间的语境联动,博尔赫斯的小说创作借用了作为一种宗教反叛观念立场的诺斯替主义,以艺术语言的形式进行批判性话语实践,因而超出了单纯的文本美学意蕴,锲入了文本政治的现实论域。In the past,the J.L.Borges'criticism focused on the aesthetic poetics characterized by“irrealidad”,ignoring the cultural poetical connotation of his creation.One of the basic categories confronting the thought of modernity is the relationship between human beings and the overall reality of their existence.Borges responded in the form of literary expression to the specific traditional and realistic predicament of Latin America.Based on the contextual linkage between the Iberian Catholic tradition of Argentina and the social and political reality of the 20th century,Borges'novels borrowed Gnosticism as a religious rebel concept and carried out a critical discourse in the form of artistic language,which went beyond the simple aesthetic meaning of the text and entered the realistic field of textual politics.

关 键 词：博尔赫斯 诺斯替主义 文本政治 

分 类 号：I783.074[文学—其他各国文学]