监视、欲望与僭越:当代日本恐怖电影中的“独眼”形象及其伦理分析  

Surveillance, Lust and Overreach:The "One-eye" Image in Contemporary Japanese Horror Films and Its Ethical Analysis

作　　者：王天乐 陈柏安 WANG Tianle;CHEN Bo'an

机构地区：[1]中山大学艺术学院

出　　处：《电影理论研究（中英文）》2023年第4期104-112,共9页Journal of Film Studies

基　　金：中山大学高校教师基本科研业务费青年教师培育项目“跨学科视角下艺术史研究的方法与路径”的阶段性研究成果(项目编号:2023qntd39)。

摘　　要：在当代视觉文化与理论阐释中,“眼睛”被视为一种意义丰富的情感媒介,看与被看的“眼睛”构成了复杂的观看动机与心理机制。而在当代影像叙事与消费文化的语境中,“眼睛”不但是交流媒介,也暗含了社会伦理层面的行为语义,尤其是当代日本恐怖电影中对“独眼”的特定展示,构成了一场观看中的“暗恐”心理与“僭越”行为。在当代市场文化的精神操控与反叛意识的价值导向中,一系列隐蔽的社会危机与伦理困境也由此显现。In contemporary visual culture and theoretical interpretation, the "eye" is endowed with a meaningful emotional medium, and the "eye" which sees and is seen constitutes a complex viewing motivation and psychological mechanism. In the context of contemporary video narration and consumer culture, "eye" not only serves as a communication medium, but also implies a kind of behavioral semantics at the social ethical level, especially the specific display of "one-eye" in contemporary Japanese horror films, which forms a "inner panic" psychology and "overreaching" behavior in viewing. In the spiritual manipulation of contemporary market culture and the value orientation of rebellious consciousness, a series of hidden social crises and ethical dilemmas have also emerged.

关 键 词：恐怖电影 眼睛 僭越 暗恐 伦理 

分 类 号：J905[艺术—电影电视艺术]