隔层的观望——蔡广斌影像水墨中的幻影  

Waiting on the Partition—The Phantom in Cai Guangbin's Ink Painting

作　　者：李芝 LI Zhi(Academy of Fine Arts,Hunan Normal University,Changsha Hunan,410012,China)

机构地区：[1]湖南师范大学美术学院,湖南长沙410012

出　　处：《文化创新比较研究》2024年第2期6-10,共5页Comparative Study of Cultural Innovation

摘　　要：在对水墨的实验中,当代艺术家蔡广斌将影像与水墨相结合,在内容与形式上做出新的探索。一方面,他将影像作品与水墨画相并置,给予传统水墨以新的呈现方式,赋予其多层次的内涵,用旧媒介承载新的视觉效果;另一方面,他在某方面打破了传统水墨与当代人的精神隔阂,形成在影像、水墨、观者之间空间上的情感交汇,从人与人的现实关系中传递出自身对所处时代的理解。该文从蔡广斌影像水墨的内容与形式,以及笔墨语言多角度进行分析,从影像的现实性与艺术呈现的真实性,以及作品所产生的情感共鸣等方面,研究蔡广斌水墨人物在当代语境下所做出的探索。In the experiment of ink painting,contemporary artist Cai Guangbin combines images with ink painting,making new explorations in content and form.On the one hand,he juxtaposes visual works with ink painting,giving traditional ink painting a new way of presentation,imbuing it with multi-level connotations,and using old media to carry new visual effects.On the other hand,he broke through the spiritual barrier between traditional ink painting and contemporary people in a certain way,forming an emotional intersection between images,ink painting,and viewers in space,conveying his own understanding of the era through the realistic relationship between people.This article analyzes the content,form,and language of Cai Guangbin's ink painting from multiple perspectives.From the perspectives of the reality of images,the authenticity of artistic presentation,and the emotional resonance generated by his works,it studies the explorations made by Cai Guangbin's ink painting characters in the contemporary context.

关 键 词：影像水墨 蔡广斌 水墨人物 实验水墨 水墨画 影像 

分 类 号：J212[艺术—美术]