《马戏团之夜》中的身体解域与后人类身体政治  

The Bodily Deterritorialisation and Posthuman Body Politics in Nights at the Circus

作　　者：程毅 Cheng Yi(School of Liberal Arts,Yangzhou University,Yangzhou,Jiangsu Province,China)

机构地区：[1]扬州大学文学院,江苏扬州225009

出　　处：《外国文学》2024年第1期48-58,共11页Foreign Literature

基　　金：江苏省社会科学基金青年项目“安吉拉·卡特小说后现代身体政治研究”(18WWC004);国家留学基金“国家公派高级研究学者、访问学者、博士后项目”。

摘　　要：合成化身体、信息化身体和跨界域身体是后人类身体政治的三大关注重点,分别从身体的生理、物质和认知三个层面解域了人类的身体边界。在小说《马戏团之夜》中,安吉拉·卡特超越了性别批判的创作藩篱,将写作的关注重心置于后人类身体政治问题。通过打造畸形身体、跨体性身体和非人身体,卡特对人类身体加以解域化处理,不仅消解了传统身体认知体系,突破了物种之间的等级秩序,瓦解了身体稳固的组织结构,而且破除了畸形与正常、人与动物、身体与非身体等一系列二元对立关系,从思想认知层面质疑了人类中心主义的存在基础及其理念的合法性,具有典型的后人类主义思想特征。The synthetic body,the informational body and the transboundary body are three major issues of posthuman body politics,which deterritorialise the boundaries of the human body at the physiological,material and cognitive levels.In Nights at the Circus,Angela Carter breaks the writing barriers of gender critique and focuses upon posthuman body politics,deterritorialising the human body through the creation of deformed bodies,transcorporeal bodies,and non-human bodies.With the help of bodily deterritorialisation,Carter deconstructs the traditional cognitive system of the body,disrupts the hierarchical order between species,dismantles the stable organisation of the body,and undermines a series of dichotomies such as abnormality and normality,human and animal,body and non-body.She questions the basis of anthropocentrism and the legitimacy of its ideas at the cognitive level.Her approach has the typical characteristics of posthumanist ideology.

关 键 词：《马戏团之夜》 身体解域 后人类 身体政治 

分 类 号：I561[文学—其他各国文学]