石涛《罗浮图》册与《罗浮野乘》的相关问题——兼论卷轴山水画与山志版画插图的关系  

Shi Tao’s‘Luofu Album’and Han Huang’s‘Luofu Ye Sheng’--Also the Landscapes Scroll and the Illustrated Mountain Annals Print Analyzed

作　　者：李若晴[1] Li Ruoqing

机构地区：[1]广州美术学院美术史系

出　　处：《故宫博物院院刊》2024年第1期104-123,169,共21页Palace Museum Journal

基　　金：广东省教育厅重大项目“晚清及民国时期广东地区的书画网络与区域竞争”(项目编号:2016WZDXM021)阶段性成果。

摘　　要：石涛晚年出佛入道,对于道教仙山罗浮山十分向往,以罗浮山为题材创作了不少山水画。本文以美国普林斯顿大学博物馆、德国科隆东亚艺术博物馆所藏两册石涛绘《罗浮图》册为中心,通过比对,指出石涛依据的乃是韩晃《罗浮野乘》一书,石涛不仅抄录《罗浮野乘》中的诗文,而且构图也来源于书中的版画插图。《罗浮野乘》初刊于崇祯十二年,再刊于康熙四十年,作者认为,石涛作品依据的是康熙版,而且进一步指出,17世纪蓬勃发展的出版业与视觉文化催生了精彩纷呈的山志版画插图,为山水画家的创作提供了新的创作源泉。Shi Tao believes in Taoism more than Buddhism in his later years of life with the strong yearn for Luofu Mountain and creates a number of paintings for it.The thesis contrasts his two copies of‘Luofu Album’(LuófúTúcèin Chinese pinyin)respectively collected in Princeton University Museum of USA and Cologne East-Asian Art Museum of Germany with Han Huang’s illustrated book of‘Luofu Ye Sheng’(LuóFúYěShèng),finding his two albums of pictures are based on Han Huang’s work of Kangxi version referring to the poetry and the structure in composition.‘Luofu Ye Sheng’is published in two versions,the first is completed in the 12th year of Chongzhen(崇祯)period of the Ming dynasty,the second is in the 40th year of Kangxi(康熙)period of the Qing dynasty.It is the flourishing publishing industry and visual culture in the 17th century that generate the printmaking of illustrated mountain annals of various styles.

关 键 词：罗浮山 石涛 野乘 版画 

分 类 号：J217[艺术—美术] J212