中国当代声乐协奏曲创作及其本土化特征  

Contemporary Chinese Creation of Vocal Concertos and Their Localization Characteristics

作　　者：杨正君[1] 朱越文 Yang Zhengjun;Zhu Yuewen

机构地区：[1]星海音乐学院,广州510006 [2]星海音乐学院作曲系,广州510006

出　　处：《北方音乐》2024年第1期45-53,35,共10页Journal of the Northern Music

基　　金：2018年度国家社科基金艺术学项目“中国协奏曲创作及其本土化发展研究”(项目编号18BD056)成果之一。

摘　　要：声乐协奏曲作为人声与器乐相结合的特殊音乐体裁,在中国已有数十年的发展历史,更有不少有影响力的作品问世。文章试图通过梳理中国声乐协奏曲的发展历史与现状、体裁属性、子体裁类型等创作概况,进而分析归纳出当代中国声乐协奏曲创作中音乐风格的民族性、人声与乐队协作的中国性、人声的炫技性与叙事性等本土化发展特征,并指出当代中国声乐协奏曲创作的某些局限与发展趋势。As a special musical genre combining vocal and instrumental music, vocal concerto has been developed in China for decades, and many influential works have been released. Based on the research of the history, status, attributes, and its sub-kind types of the genre, the article analyzes and summarize the located characteristics of the contemporary Chinese vocal concertos, such as the ethnic musical style, the Chinese style in the collaboration between the vocals and the orchestra, the virtuosity and narrativity of the vocals. At last, the authors point out some of the limitations and the development trend of the creation of the contemporary Chinese vocal concerto.

关 键 词：音乐体裁 声乐协奏曲 人声与乐队 本土化 

分 类 号：J609[艺术—音乐]