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作 者:张金梅 张中宇[1] ZHANG Jinmei;ZHANG Zhongyu(College of Literature,Chongqing Normal University,Chongqing 401331,China)
出 处:《平顶山学院学报》2024年第1期44-48,共5页Journal of Pingdingshan University
摘 要:清代是王昌龄诗歌接受史链条上最为关键的一环,出现了三个新变化:第一,清人首次提出王昌龄为“七绝圣手”,其七绝诗歌特质及地位更加突出;第二,清人突破明代“王不及李(白)”的观点,将唐人绝句“王李”并称的主张推向新阶段且渐成定论;第三,清人辩证评价王昌龄古体诗,走出了唐宋首推王昌龄五古、明代侧重王昌龄七绝之偏,兼重王昌龄古体与绝句。清人尤推崇王昌龄以极为精赡的七言绝句展现边塞大漠风貌和戍边军旅“意态雄健”、气势磅礴的英雄气概,以及善于捕捉或创造典型场景、善于表现情绪微妙变化的高超诗艺。The Qing Dynasty is the most crucial link in the history of Wang Changling's poetry acceptance,there were three new changes in the acceptance of poetry by Wang Changling in the Qing Dynasty:firstly,the people in Qing Dynasty explicitly proposed title of Wang Changling's"The renowned master of seven-character quatrains"for the first time,which made the characteristics and status of Wang Changling's seven-character quatrains more prominent;secondly,the viewpoint of the Ming Dynasty that"Wang was inferior to Li(Bai)"was broken through in the Qing Dynasty,and pushed the proposition of the Tang Dynasty's quatrain of"Wang and Li"to a new stage,gradually becoming a final conclusion;thirdly,Wang Changling's ancient poetry was dialectically evaluated in the Qing Dynasty,which broke away from the tendency of the first recommendation of Wang Changling's five ancient poems in the Tang and Song dynasties,and Wang Changling's seven-character quatrains were focused on in the Ming Dynasty,which became a shift to emphasize both Wang Changling's ancient poetry and seven character quatrains.Wang Changling was particularly praised for his highly refined seven character quatrains in the Qing Dynasty,which showcased the style of the frontier fortress and the"vigorous and majestic spirit",as well as his superb poetic skills in capturing or creating typical scenes and expressing subtle emotional changes.
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