新编广东汉剧《金莲》的文学意蕴与艺术审美  

The Literary Meaning and Artistic Aesthetics of the Newly Compiled Cantonese Chinese Opera Golden Lotus

作　　者：肖艳平[1] 陈明威 Xiao Yanping;Chen Mingwei(Gannan Normal University,Ganzhou,Jiangxi,341000)

机构地区：[1]赣南师范大学,江西赣州341000

出　　处：《地方文化研究》2023年第5期49-56,共8页Local Culture Research

摘　　要：新编广东汉剧《金莲》改编自明代古典小说《金瓶梅》,唱词典雅秀美,舞台表演精湛,具有深刻的文学意蕴与艺术审美。现从戏曲剧本和舞台表演视角出发,探析《金莲》内容的文学意蕴,挖掘背后的艺术审美内涵。《金莲》突出“人的戏剧”的现代化品格,尽显广东汉剧的现代美学,是具有代表性的新时代女性题材戏曲。该剧以小见大、见微知著,展现兼具叙事性、象征性和矛盾性文学意蕴,呈现古朴的音乐美、古典的语言美、均衡的结构美,以及自由的品性美的审美特征。The newly compiled Cantonese Chinese opera Golden Lotus is adapted from the classic novel Jin Pingmei in the Ming Dynasty,with elegant lyrics and excellent stage performance,containing profound literary meaning and artistic aesthetics.From the perspective of opera scripts and stage performances,we will explore the literary meaning of the content of Golden Lotus and explore the artistic aesthetic connotation behind it.Golden Lotus shows the modern character of"human drama",takes Golden Lotus as the starting point,shows the modern aesthetics of Guangdong Han Opera,and is a representative female opera in the new era.The play shows both narrative,symbolic and contradictory literary implications,presenting the artistic aesthetic characteristics of simple musical beauty,classical language beauty,balanced structural beauty and free character beauty.

关 键 词：新编广东汉剧 《金莲》 文学意蕴 艺术审美 

分 类 号：G122[文化科学]