李翰祥电影的清宫历史书写与中国文化想象  

The Writing of Qing Palace History and Chinese Cultural Imagination in Li Hanxiang's Movies

作　　者：张燕[1] Zhang Yan

机构地区：[1]北京师范大学艺术与传媒学院,北京100875

出　　处：《南京艺术学院学报（音乐与表演版）》2023年第6期120-126,I0005,共8页Journal of Nanjing Arts Institute:Music & Performance

基　　金：2019年度国家社科基金艺术学一般项目“香港电影文学改编史(1949—2019)”(项目编号:19BC039)阶段性研究成果。

摘　　要：作为港台电影史上举足轻重的导演,李翰祥一生创作影片百余部,引领了黄梅调电影、文艺片、风月片等众多电影热潮,尤其以《倾国倾城》《瀛台泣血》等系列清宫历史电影,在银幕上成就了雅俗共赏的浪漫传奇,形成了作者化的中国古典美学风格,在香港地区银幕上呈现出深层忧患的历史意识。本文在口述采访与历史探询的基础上,着重探讨李翰祥清宫历史电影的历史叙事、片厂美学和文化想象。As a pivotal director in the history of Hong Kong and Taiwan cinema,Li Hanxiang created over a hundred films throughout his life,leading numerous film trends such as Huangmeidiao films,literary films,and romantic films.Especially with the series of Qing Dynasty historical films such as"Qing Guo Qing Cheng"and"Ying Tai Qi Xue",he achieved a romantic legend that is both refined and popular on the screen,forming an author style of Chinese classical aesthetics,and presenting a deep sense of historical concern on the Hong Kong screen.On the basis of oral interviews and historical exploration,this article focuses on exploring the historical narrative,studio aesthetics,and cultural imagination of Li Hanxiang's Qing Palace historical films.

关 键 词：李翰祥 清宫历史电影 历史叙事 文化想象 

分 类 号：J905[艺术—电影电视艺术] J911